Debunking the Strawman Campaign of Don’t Look Up
Don’t Look Up swaggers through tired political divisions for the sake of its out-there comedic premise. Its confidence is more impressive than its point.
Don’t Look Up swaggers through tired political divisions for the sake of its out-there comedic premise. Its confidence is more impressive than its point.
The Revenant is a powerful statement on cinematic realism affected but not marred by its real toil. It’s old cinema made epic again.
Frank Abagnale conned the world out of millions of dollars and himself out of a normal life. Catch Me If You Can cons us into loving him for it.