Why Army of the Dead Should Not Be the Oscars Fan Favorite
Army of the Dead’s ruthless devotion to plagiarization is its most passionate aspect. Less effort was never spent on a film so casually praised.
Army of the Dead’s ruthless devotion to plagiarization is its most passionate aspect. Less effort was never spent on a film so casually praised.
Admirably grounded and well-cast, The Batman tries its best to add relevance to a cluttered canon amid broken thriller mechanics and aloof dialogue.
Batman reflects the charm and the cost of a script that was not properly finished. But its lead and its meticulous visual design still enchant.
A response to Zack Snyder’s Man of Steel as well as to the debates about it, including both its problematic execution and its honest desire for greatness.
Another trailer for The Batman encouraged me to write down my thoughts, both my anticipation and misgivings, about Matt Reeves’ latest take on the Dark Knight.
Star Wars: The Rise of Skywalker is as sloppy for its artists as embarrassing for its fans. It is brand mismanagement in visual form.
1917 is a capable demonstration of technology matched to an overreaching story. Exactly what meets the eye.
Conan the Barbarian throws itself into the brutal past, wielding its actor’s charm like a broadsword. Only plot conventions are strong enough to hurt him.
Hulk is a Marvel film made from spirituality and angry power. Nothing it does wrong can stop its difference from being beautiful.