All Reviews Page

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Don't Look Up swaggers through tired political divisions for the sake of its out-there comedic premise. Its confidence is more impressive than its point. Read more
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Prisoners uses competent visuals and juggernaut acting to hide behind an impression of mysteriousness that its screenplay never fully justifies. Read more
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Season 3 of The Mandalorian continues with high-concept stories stalled by low-effort screenplays. Read more
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Malignant suffers through genre tropes to get to its meaty creativity. The question isn't whether it has any but whether it's worth the wait. Read more
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Speed Racer unconventionally adapted the comic book formula to a unique emotional high that now stands out in a crowded genre. Read more
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The Mandalorian slides into its third premiere without a strong suggestion that this will be more than a content extension for a profitable series. Read more
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M. Night Shyamalan continues his winning streak with a well-acted high-concept thriller about the end-times. It's more smoke than fire though. Read more
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Whannell drenches the action of his remake in expository relevance to cover for a lack of basic thriller rationale in the screenplay. Read more
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The Tree of Life is an all-encompassing memory of a tiny life. It can't help but stand in for all of us. Read more
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Avatar: The Way of Water is a monument to James Cameron's business model but stutters on every other artistic or dramatic criterion imaginable. Read more
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Guillermo del Toro's Pinocchio shimmers with excited physical energy but never coordinates its new story ideas with its old moral responsibilities. Read more
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The Pale Blue Eye has the cast of a masterpiece and the script of a write-off. It's inoffensive afternoon viewing, but Poe would have his name removed from it. Read more