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The Santa Clause 2: Carefree Christmas

The Santa Clause 2: Carefree Christmas

The Santa Clause 2 has Tim Allen standup, cartoon reindeer, and romantic play-pretend. But it feels like Christmas. Let me explain why I keep watching it.
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Saint Maud: Timid Prophet

Saint Maud: Timid Prophet

Saint Maud is a confident debut from a promising filmmaker, but its self-imposed genre tropes become limitations that hold it back from greatness.
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The White Reindeer: A Myth of Innocence

The White Reindeer: A Myth of Innocence

The White Reindeer is equal parts history, horror, and fairytale - a myth of innocence, in a landscape of snow and terror.
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Meet Me in St. Louis: The Us That Time Forgot

Meet Me in St. Louis: The Us That Time Forgot

Meet Me in St. Louis is hope and happiness in movie form, using sorrow and shadows and more joy than usually fits in ten movies. It is Christmas, to me.
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White Christmas: A Beautiful Bottom Line

White Christmas: A Beautiful Bottom Line

White Christmas never fails to put me in the Christmas spirit, with a bit of finagling. It wears the season (and its production woes) on its satin sleeve.
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Featured Article

My Neighbor Totoro: Magic Perspective

My Neighbor Totoro: Magic Perspective

My Neighbor Totoro may not be Miyazaki's best work, but it's his quiet thesis. And one of the most magical things ever drawn.
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The Santa Clause 2 Tim Allen
M.C. Myers
The Santa Clause 2 has Tim Allen standup, cartoon reindeer, and romantic play-pretend. But it feels like Christmas. Let me explain why I keep watching it.
Saint Maud Morfydd Clark
M.C. Myers
Saint Maud is a confident debut from a promising filmmaker, but its self-imposed genre tropes become limitations that hold it back from greatness.
The Batman Robert Pattinson
M.C. Myers
Another trailer for The Batman encouraged me to write down my thoughts, both my anticipation and misgivings, about Matt Reeves' latest take on the Dark Knight.
The White Reindeer
M.C. Myers
The White Reindeer is equal parts history, horror, and fairytale - a myth of innocence, in a landscape of snow and terror.
Meet Me in St. Louis Judy Garland
M.C. Myers
Meet Me in St. Louis is hope and happiness in movie form, using sorrow and shadows and more joy than usually fits in ten movies. It is Christmas, to me.
White Christmas Bing Crosby
M.C. Myers
White Christmas never fails to put me in the Christmas spirit, with a bit of finagling. It wears the season (and its production woes) on its satin sleeve.
First Man Ryan Gosling
M.C. Myers
With First Man, Damien Chazelle takes us to space and still thinks the most important things are the ones we left behind. The best film of 2018.
Brooklyn Saoirse Ronan
M.C. Myers
Brooklyn is a well-meaning new version of the kind of movie we used to make much more easily. It's not masterful, but at least it's respectable.
Vertigo Kim Novak Alfred Hitchcock
M.C. Myers
Vertigo is as much about its director's view of sex as a masterclass thriller. It decodes not only Master Hitchcock but an entire cinematic point-of-view.
Superman Christopher Reeve
M.C. Myers
Superman creates a well-meaning mythology that predicts the most profitable film genre. Its many imitations are only partial, however. The original still soars.
Star Wars The Rise of Skywalker
M.C. Myers
Star Wars: The Rise of Skywalker is as inconceivably sloppy for its artists as it is embarrassing for its fans. It is brand mismanagement in visual form.
Enemy Jake Gyllenhaal
M.C. Myers
An analysis of Villeneuve’s dreamy thriller, Hitchcock accelerated to spiritual attack speed. Arachnophobes beware.